Tag Archive | Maggie Duncan

Fire&Ice Sol 17/19: WINNERS

§ Rebekah says: Happy Monday! Here we are with the latest round of contest results—a delight, as ever, platforming your words. Speaking of platforms: be sure to drop by yesterday’s Flash!Future if you haven’t yet, featuring Fire&Ice writers P.A. (Maggie) Duncan & Bill Engleson. We’ll highlight two more writers next weekend to round out our collection of Sunday posts. And finally, we’ve just two more contests before closing up our five-month (!) run. This Friday will be judged by the most Excellent Betsy Streeter & Karl Russell. For the final contest on December 18 Deb Foy and I will serve as your judges, and we are excited to mail off a rather amazing pile of prizes to the winner. We hope you all will be able to join us for one last merry round before we collectively and permanently ban 2020 from the present. And now on to the winners!

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Quick note on judging: Six pairs of judges across multiple nationalities and genres are taking turns reading your submissions (meet the judges here). As soon as each contest round closes, your stories are first stripped of all personal info before being sent on for judging. This represents our effort to maximize every story’s chances, whether it’s the first or hundredth story you’ve written. ♥ 


SOL 17’S JUDGES SAY:

Tamara Shoemaker: It’s been so much fun to dip back into the flash fiction world these last few months and reminisce over the short and powerful stories that eke out of the weekly prompts. Thanks again to the Dragons, who trusted me with the responsibility of weighing your words, to my fellow judge Eric Martell, who has good-naturedly put up with my plethora of emails in his inbox during our judging weekends, and to each one of you for consistently dazzling me with astounding stories. I have enjoyed this sojourn!

Two quick shout-outs before we jump into the winners list: Tinman’sWater Sport,” for making me snort coffee up my nose at “burst gloriously through the surface right into the midst of the Danish Synchronised Swimming team.” Helen Laycock‘s Ocean Lament: for the gorgeous and heart-breaking Romeo/Juliet-esque love story.


Eric Martell: In all of the chaos that 2020 has brought, there have been not nearly enough lights in the
darkness, and one that has been a big part of my life the last few months has been the return of Flash! Friday. The combined work of the Ice and Fire Dragon Queens, and their graciousness in inviting me to judge, has allowed me to return to writing and given me the privilege of reading so many wonderful stories. This marks the third and final go-round for me in the hot seat. I appreciate your indulgence and your patience with my judging idiosyncrasies. Thank you. And for whatever poetry I lack in my words, you get to read those of the incredible Tamara Shoemaker.

Before we get to the winners, I’d like to give a few shout-outs to: Becky Spence‘s “Untitled” [I stand on the cliff top]: “Always waiting, for that part of me to return.” StellaKateT‘s “The Sea Shall Give Up Her Dead“: What we lose when we extinguish another’s light. And Phil Coltrane‘s “0°C“: “I’m sorry, my dear. I thought you were someone else.” Thanks to everyone who wrote this week. It took forever to narrow my list down this far.

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HONORABLE MENTIONS

Black Sea Dreams” by Maggie Duncan

TS: This story, encased in some vivid mermaid bookends, shows such a sharp contrast between one life and the other, one subterfuge and the next. Loved it!

EM: When we pretend, for a time, we may become another.

Untitled” (Arielle Danced) by Mark Giacomin

TS: I was particularly caught by the way the words of the story themselves became the ocean in the weighted limbs, the oblivion-covered memories, and the dancing water. Simply gorgeous!

EM: A beautiful story of grief and the dangers of being consumed by it.

RUNNER UP

Waterling”  by Nancy Chenier

TS: This story touched on my mother’s heart and made me tear up a little. Granted, my own children are no waterlings, but most parents identify with the necessary distance that takes place in the inevitable growing stages. I could feel this parent’s despair in this line: “Or all the love I poured into this little boy only for it to evaporate into a spritely haze of indifference, webbed fingers always slipping from my hand.”

EM: We raise our children knowing they are their own people, that one day they will leave us and begin their own lives. We don’t expect it to happen at the age of four, nor that they will sink beneath the sea to begin a new life. This story broke my heart.

And now: it is our pleasure to present to you our

FIRE&ICE WINNER

BETSY STREETER!!!

for

Untitled (I’m Sorry, I Thought You Were Water)

TS – I agree with Eric in his comments below; the opening line of this one snagged
my attention immediately and kept me riveted the entire way through the story. I loved how this
story is a communication, almost a eulogy from a lover to his beloved who has gone before. The
enforced separation between what is above and what is below is gutting, and brought to mind the
African proverb: “A fish and a bird can fall in love, but the two cannot build a home together.”
The narrator’s impotence with “I fell back…” shattered me; the emotion all too readily resonates
with many of us as we watch our biggest dreams, hopes, desires slip through our fingers. This
was so well done, and very deserving of the win.

EM — What an opening line! The first line of the first story of the week, and I was
hooked. We try to stay attached to the people we love, but we don’t always walk the same path.
Sometimes, they’re not who we think they are, or wish them to be. This story painted that picture
so well, with such vivid imagery, that it was impossible to look away.

Congratulations, Betsy! Here’s your winning story:

Untitled (I’m Sorry; I Thought You Were Water)

I’m sorry,

I thought you were water.

I thought we spoke to each other in waves, and currents, and depths. I believed we felt the same seasons, saw the same colors.

We would swim side by side, every so often touching, squinting in the white sunlight from above, drifting in the dark below. I taught you what I knew. It wasn’t everything.

Sometimes we were still, other times we got tossed around, but we would pull back together like strands of kelp. Free-moving, but growing from the same stalk.

There are creatures that live so deep in the ocean dark they never bother to grow eyes.

You broke the surface, and I tried to follow. But howls of wind and machinery and screeches of gulls lashed my ears.

I fell back helpless, useless, and watched you shrink to a speck, now seen, now not, retreating toward the shore, forever.

Fire&Ice Sol 15/19: WINNERS

§ Rebekah says: Happy Monday! As if the latest round of Fire&Ice winners weren’t exciting enough, did you know it’s also Doctor Who Day, Fibonacci Day, Eat a Cranberry Day, and National Espresso Day? It’s also NaNo Day 23 (38,341 words, or whatever beautiful number of words you’ve written). Wherever this Monday finds you—whether snacking on cranberries or not—here’s to another sunrise, and another day conquering the white page together. We’re glad, as ever, you’re here.

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Quick note on judging: Six pairs of judges across multiple nationalities and genres are taking turns reading your submissions (meet the judges here). As soon as each contest round closes, your stories are first stripped of all personal info before being sent on for judging. This represents our effort to maximize every story’s chances, whether it’s the first or hundredth story you’ve written. ♥ 


SOL 15’S JUDGES SAY:

Mark King:  I am sad that this is the last time I get to judge. Thanks to the majestic Ice and Fire dragons for their faith and trust in us, and for all the work it has taken to bring this magical place back. Thanks also to the folk behind the scenes who help to get the stories to judges each week. Much gratitude to Steph who shares my timezone, has a great work ethic and has impeccable taste in great storytelling. As writers, you did wonders with the prompt this week, I enjoyed every story and the ones I picked tended to just stand out in some small way. Some quick mentions: Betsy Streeter‘s “Untitledfor the image of grasshoppers and great use of dialogue. Tamara Shoemaker‘s “Soul’s March,” for the creepy and unsettling feeling. Maggie Duncan‘s “Fix Our Eyes Not on What is Seen” for the concise and very effective structure.


Stephanie Ellis: November already and my last time as a judge! Seeing Flash! Friday come back has been wonderful, even though the past few weeks have seen me somewhat absent for a variety of reasons; that being said, I’d like to thank Deb and Rebekah for inviting me to take part, it’s been an honour and a privilege to work with them and Mark. The quality of submissions was excellent, as always, and this week I found the majority of my choices went to those I regarded as a story, rather than an introspective or ‘scene’ piece. I needed to engage with the characters and the stories chosen allowed me to do that. In addition to those on the rostrum, I’d like to mention a couple of other stories. Laurence D‘s “King of the Hillwith its termites having distinct human speech and accents, and Tinman‘s “Transfer of Power,” with its finger pointing to the future destruction of mankind via a growing army of mutant insects, were both great fun and hugely original.

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HONORABLE MENTIONS

The Museum of Nobodies” by Arvind Iyer

MK: It’s a reverse mirror to the superficial and branded world of influencers. I loved how the story took me to other places, transporting me, almost by word-teleportation – handy we can travel like this with stories when we can’t go physically.

SE: In these days of celebrity status and global powers, us lesser mortals often feel unseen and disregarded and this writing recognises that fact, and in doing so, it also reminds us we are somebody and that there are millions like us.

Be Careful What You Wish For by Geoff LePard

MK: It’s approaching panto season in the UK so while it probably wasn’t the author’s intention, I loved the thought of this missing eccentric British tradition somehow living on as a termite-mound genie in a story.

SE: A hugely entertaining story; sometimes we just need that touch of humour in our lives and I thought this was perfect. A termite genie granting the wish that would be the downfall of Terrance and Susan.

These Days by Karl Russell

MK: I loved the world-building in this one. The global nature of it. Those amazing images of buildings being like the termite mounds. The great name-dropping of Scorsese, London, Manhattan, Tokyo and Layla booming across the post-apocalyptic landscape. 

SE: A ghost with no one to haunt, such a sad thought. Bleak description of a post-apocalyptic world which we could head towards, if we’re not careful. Although maybe, we are already ghosts haunting ourselves.

RUNNER UP

The Land Remembers”  by Voima Oy

MK: This is a highly creative take on the prompt. It appealed to me in several ways. It was unique, it included a familiar tale of ‘progress’ at the expense of nature, it included wonderful images: At night, they gave off a strange glow, like cities at night.” It reminded me of the film, Avatar, only much, much better. James Cameron needs to take notes from this story.

SE: There is magic in our planet: our ancestors have often mentioned hidden energies or forces beneath our soil which affect us and our lives. This story gives this ancient magic a sci-fi feel, as the planet draws up its defences against the developers. Beautifully written.

And now: it is our pleasure to present to you our

FIRE&ICE WINNER

ARCANE EDISON!!!

for

Notes On a Life Lived

MK – I’m a sucker for an intriguing title, so this drew me in. Then the story grabbed me tightly from the opening and didn’t let go He’d always been a quiet man. Silently toiling in the fields that surrounded the cottage. I, his shadow, watching his metronome arm arcing with the odd shaped knife he used everyday.”  In the middle, we have this amazing image, “We gathered, dressed in black, on the greyest day. Umbrellas shadowing darker faces.” 

There is a mastery of storytelling and structure and pacing, yes, it’s showcasing in a microscopic space, just what flash fiction can do. And that ending, what a life. It makes you think and be thankful.

SEThis is a story which must resonate with many of us, as grandparents get older and we drift apart, moving on with our busy lives, knowing they are still there in the background – until they’re not – and we realise we have failed to make time for them, to listen to their stories, thinking our own so much better. This delicate showing of ‘the life lived’ at the end is poignant, an emotional gut punch to those left behind. If only they’d talked. An imaginative take on an image whose markers called to mind those rows of white headstones in a war grave cemetery. Wonderful writing.

Congratulations on your back-to-back win, Arcane! Here’s your winning story:

Notes On a Life Lived

He’d always been a quiet man. Silently toiling in the fields that surrounded the cottage. I, his shadow, watching his metronome arm arcing with the odd shaped knife he used everyday.

Nightfall, he, Grandmother and I would sit within the perfume of the plum orchard. Small words uttered as he split purple flesh with his blade, revealing the sweetest yellow flesh.

As the seasons faded into years I returned less to the cottage, till one day I never did.

When she died he moved into the city. Living in a small terraced house with dirty windows. Each time I visited, he would seem smaller again, as if every breath I took stole directly from him.

Seasons faded into years.

We gathered, dressed in black, on the greyest day. Umbrellas shadowing darker faces.

Sat in pews. An old man struggled to the front, hands trembling, eyes blurring, medals clinging to his chest.

Telling a tale never before shared.

Of parachutes, fighting behind enemy lines.

Of capture, the torment of the prison camp.

Of liberation, the gift the soldiers had given Grandfather.

For his leadership, fearlessness and love.

An odd shaped knife.

Fire&Ice Sol 12/19: WINNERS

§ Foy says: The year 2020 has been a bit “anti-dystopian” to borrow genre-birthing speculative fiction author Samit Basu‘s word (read his definition here), yet somehow we’ve collectively blinked and it’s November, with Election Day in the United States only a sleep away. Whether you’re hopeful or anxious, intrigued or ready to be rid of it all (or like me some ever-shifting amalgam of All The Emotions), please know that no matter the outcome, we dragons at Fire&Ice will be here with strong tea and coffee, and a space to write and grow safely. Because regardless of who wins, the work of making this a better world for those here and those to come will be waiting for us, and it would be our joy to meet that challenge with you. ❤

♦♦♦♦♦

Quick note on judging: Six pairs of judges across multiple nationalities and genres are taking turns reading your submissions (meet the judges here). As soon as each contest round closes, your stories are first stripped of all personal info before being sent on for judging. This represents our effort to maximize every story’s chances, whether it’s the first or hundredth story you’ve written. ♥ 


SOL 12’S JUDGES SAY:

Betsy Streeter:  This week’s prompts brought up just a few themes, like, oh, creation, family, ancestry, crime… and the mundane gone very wrong. Which is hard to do – horror is tricky to write because it’s all about those unsettling reveals, suddenly uncovering something deeply not-okay going on. Thank you again for so many tiny worlds to go into and be creeped out by. A few shout-outs: First of all, both VERY short stories, Peg Stueber‘s piece about Geppetto, and Bart van Goethem‘s “Genesis,” packed a punch and were wonderful! I also want to point out Arvind Iyer‘s “The Boy Who Wasn’t a Doll” for pondering generational change in such a unique way. Nancy Chenier‘s “Sharing Is Caring” caused me to hear a creepy piano soundtrack or a music box as I read it. Becky Spence‘s “Replacement” was sad and scary at the same time and made me anticipate some sort of revenge. And finally Mark A. King‘s “The Original Fugitive of Suburbia” for finding superpowers in hardship and difference, something we all seem called to do right now.


Karl A. Russell: As Betsy said, there were some clear themes emerging as I read through this latest crop of mini-masterpieces, not least the idea of children being replaced by dolls – I wonder how many of you are feeling the need for some control over things right now? As much as I’d love a lifelike mannequin of Kirby to sit in front of the laptop for this week’s remote schooling, several of your stories have given me second thoughts though… Creepy, murderous children made particularly strong appearances in Nancy Chenier‘s “Sharing Is Caring” and Stella Kate‘s “From Father To Son“, while the kids in Eric Martell‘s “Planting The Seeds” and Laurence D‘s “Shut Up Freddie!” might actually be better off if they took up arms against their less than loving parents… Some of these stories gave me a real, visceral reaction – and quite a few laughs – just perfect for Halloween reading.

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HONORABLE MENTIONS

Famsimile by David Shakes

BS: Yikes. You think you know what’s going on, and then it gets worse. This is a great example of that frightening realization that something “normal” has gotten twisted in the name of showing the world “we can be a real family.” The way the imagery builds is just terrific.

KR: The serial killer who surrounds himself with mannequins is a well-worn trope, but “Famsimile” takes that idea and gives it a fresh, unsettling twist. Strong imagery and creeping unease help this one stand out.

[Untitled] by Phil Coltrane

BS: What I love about this one is how once you’ve read it, you realize that no matter how many times this simulation runs, the words “I love you” will never get fully said. And bringing speculative/sci-fi into the mix in this was is just so, so clever. Loved this.

KR: The unexpected interruption turns this slice of life into something else entirely. The fact that the protagonist returns over and again to such a mundane moment makes you wonder just what has happened since.

RUNNER UP

No Time to Stop Running by Maggie Duncan

BS: This is one that I find myself expanding into a larger story, and the details are fabulous. I’m rooting for these people, even though apparently they are murderers! That’s another sign of great horror, where you’re not quite sure you’re not pulling for the bad guy. And that sympathy comes through partly in those mundane details, the care taken to give the impression of a “real” family. Super creative, wonderful.

KR: As soon as I’d read this, I went straight back and read it again. The first time through, it was the story of a cunning fugitive couple, faking a family to avoid detection, full of fun little details like changing the names and filling diapers. The second time though… Now it’s a deeply disturbing story about a mother trying to replace the kids she’s at least allowed to die, or has maybe outright murdered. Those funny little details are now shiver-inducing symptoms of an illness no parent wants to consider. Very clever!

And now: it is our pleasure to present to you our

FIRE&ICE WINNER

ARTIE DINTERS!!!

for

Georgie

BS – This one is a simple, elegant, family moment that does a great job of juxtaposing attempts at “normalcy” of parenting in an extremely not-normal (and horrifying) situation. I also love how the dialogue brings further characterization, shining just a little light on their idiosyncrasies. There is a ton of detail packed in here, which makes it vivid. And again shows how those particulars can be so universal, not because of what they are specifically, but because we all experience life at that detailed, human-scale level. I feel really bad for this couple because they have clearly passed through a terrible terrible transition, and done it together, and agreed on the horrible way they will handle it. In a way, that’s about love. Great story.

KR — Just how damaged do you have to be to try and build a life around the preserved corpse of a toddler? Well, as this story lays out, the answer is very deeply damaged indeed. So much of this is conveyed through the mis-matched dialogue, the couple never quite connecting as they try to keep up their sham lives. Everything is slightly off and there seems to be a streak of jet black humour too – I have to admit, my reading of this was far less sympathetic than Betsy’s, and the thought of these two nutballs trying to “raise” their kid struck me as both horrific and funny, which is not easy to convey in less than 200 words. When little Georgie slumps to the floor at the end, displaying the rotten core of the tale to perfection, I laughed, felt terrible, then laughed again.

Congratulations, ARTIE! Here’s your winning story:

GEORGIE

It was early morning. Ben was cooking eggs and bacon. Linda indulged in latest news. In the background radio played Christmas music. It was that time again.

“Can you turn it off?” Linda said not raising her head.
“It is little Georgie’s favorite song, am I right Georgie?” Ben loomed above his son.

Georgie was a silent child. Gave no trouble to his parents. Always curious about his father’s job. Despite what neighbors talked behind their backs, little Georgie was a perfect child.

A whiff of rot danced with eggs and bacon.

“He stinks again.” Linda said.
“I thought I got the mixture right this time.” Ben turned the bacon stripes over. Knelt to Georgie. “What I got wrong, Georgie?”

Wax was dripping on the kitchen floor. Ben poked Georgie’s arm. Soft tissue met his finger. “Georgie, Georgie why you give us trouble?” Ben sighed. “Will you put him back in a freezer?”

“He is your son.” Linda said louder than she intended.
“I’m making breakfast.”

Georgie silently fell on the floor.