§ Foy says: Welcome to what feels a wintry results day! Yesterday, it was all reds and golds with a sleepy sun overhead; today, it’s bare, gray limbs, and a sun that stays nestled beneath the clouds. Gone are the eternal autumns of our youth, I suppose. How the world changes; how we change the world.
Speaking of world-changing, in our most recent Flash! Future on “Writing the Other” (read that post here), literary agent and advocate DongWon Song offers us writers wrestling with questions of how (or whether!) to write diverse fiction this call to action:
What we need to do is resist the default, and the only way to do that is by representing the world that we live in, which often has people coming from all kinds of cultures, all kinds of marginalizations that are inter-sectional, and rich, and complex.
Every time I see flash here that resists the default, I’m so encouraged, inspired, motivated. Thank you. ❤
A quick reminder: Flash! Future submissions are rolling in and if you haven’t gotten the chance to send yours, now’s the time to do so! Find all the tidy details here, and remember: deadline is November 20!
Quick note on judging: Six pairs of judges across multiple nationalities and genres are taking turns reading your submissions (meet the judges here). As soon as each contest round closes, your stories are first stripped of all personal info before being sent on for judging. This represents our effort to maximize every story’s chances, whether it’s the first or hundredth story you’ve written. ♥
SOL 14’S JUDGES SAY:
David Shakes: It’s our third and final stint as judges on the resurrected Flash!Friday and I’d like to thank our Dragon hosts Rebekah and Deborah for achieving far more than they set out to do. There’s been light in the darkness thanks to you two, I’ve been plugged into a global community whose words and ideas have inspired me further.
My deep and heartfelt thanks to Nancy who, more often than not, liked what I liked but with an eye for detail and a perspective that I am in awe of. Thank you for being my co-judge in this.
My thanks to you, dear writers, for coming back each round. The original competition is where I honed my craft, found a writing family (hey Flashdogs) and gained the courage to start putting my work further out there. I hope some of that is true for you.
I loved the prompt picture when I saw it, and though it led many of you all down a few key paths (holes?) you amazed us within your short and precise word count.
Nancy and I were pretty close in what we liked this week, so we both got to drop in a few of those stories that we both enjoyed. Helen Laycock‘s “Look Before You Seep” was a hilarious take on the fountain of youth, with some great (gross) imagery. Pippa Phillips‘ “The First Thread” was rich in figurative language, took a look deeper at the prompt, and had a great last line. R.J. Kinnarney‘s “Divine Calculation” takes a clever title, adds in the prerequisite statistics and then ends on a beautiful image.
As it’s our last go, we’ve taken the liberty of having three honorary mentions.
Nancy Chenier: Here we are, our final round of judging for the reboot of Flash!Friday. I’m deeply grateful to the Dragon Den (Rebekah and Deborah) for lighting up the skies with flashes of light over a world confronted with its collective darkness, and for rekindling my own writing, a tool that helps me navigate said darkness. Also to Shakes: I don’t know what serendipity matched us up, but it turned out a wonderful pairing. If I ever find myself in that hemisphere, get ready for a visit (yes, that’s a threat, tell your family). Finally, a million thank-yous to all you flash writers, veteran and recent, whether here or in #vss365,#flashdogs, etc., for your inspiring creativity and enthusiasm wherever you drop your words. Hope to see you all in the twitterverse beyond the end of 2020.
This week, with the tiny word count, inventiveness was imperative. How else could you cram a sense of beginning, middle, end, while hooking readers into the story and then keeping them there? Very little space remained for incorporating unique takes on the prompts, but you all took on that challenge and created some fine work, which means I ended up with a bunch of shout-outs. First goes to Betsy Streeter‘s Untitled, where the miracle of medicine suddenly feels like a curse, and the word “lost” takes one huge emotional impact. Also to Michael Seese‘s “Pitfalls“ for an amusing story with its fun use of both dragon elements. Then there’s Becky Spence‘s “A Tuesday Morning” for the most original use of the photo-prompt with the “pit” being the pupil of an eye. Laurence D‘s Untitled gets a nod for baudy slapstick that had me baffled (like the oblivious crowd) until the slapstick-rug got pulled right out from under me.
DS: We both loved the playful aspect of this and I especially liked the dialogue between our Meerkat protagonists Barbara and Derek! In a week when so many stories had something going in, this statistically risky escape plan stood out.
NC: You had me at meerkats, and you kept me with the surprises at every line of increasingly anthropomorphic dialogue. You kept me chuckling through to the end. With everything we’ve put the earth through in general and the meerkats through specifically, we so deserve that parting shot.
The First Question by Phil Coltrane
DS: Something lovely about this, that dual aspect of having the courage and intellect to get to Mars but the all too human frailty of having one’s heartbroken, but I like his odds. Maybe I’m an optimist?
NC: Inventive use of statistics throughout, ultimately tying in with the picture prompt (one in seven on Mars), plus a solid sense of movement through a story. I also enjoyed the pivot on the act of “asking questions”: the class asking the MC all the questions, except for Anna, who might have invited MC’s long-unasked question way back at the beginning had she asked a homework question too.
Numbers Game by Karl A. Russell
DS: We all know the drive into the desert plot from various mob movies, but I couldn’t resist this one – so well written. The dialogue is on point, the tension well-mounted within the word limit and a classic last line to complete the sort of flash that floats my boat.
NC: This one stood out to me for the Lady-or-the-Tiger vibes (big folklore-buff over here). You set up a complete, distinctive story in a Vegas pit-trap with tension building appropriately enough like a high-stakes card game. I was hooked with the snake, immediately followed up by conflict via a sneering antagonist, then the surprise of another victim in the first box. The consistent character voice held the tone so the final line hit with authenticity. Well played!
Quick Time by Tinman
DS: A unique theme amongst this week’s entries, filled with clever imagery like the ‘Rachel hair’ and the right mix of humour and poignancy. The opening image of an unimaginably far shore sums up a teenager’s view of middle-age wonderfully. The subtle introduction of Jill’s treatment and the closing note of optimism was sublime. The economy and balance of this story had it near the top of my list from the start.
NC: This one settled in and gave me a time-release sense of nostalgic melancholy. The contrasts are stunning between the teenage creation of a time-capsule, during a time when we still feel playfully immortal, to the middle age opening when mortality has started seeping seriously in. The kick is that Jill is the one to reset the capsule by throwing in her smart watch, a symbol of time, when she probably doesn’t have much of it left (another cleverly introduced contrast: her cancer vs 1990s Rachel hair). Every detail is rich and evocative of place and character and theme—such strong writerly craft, here.
And now: it is our pleasure to present to you our
DS – What made this stand out from the other monster in the pit stories? Firstly, an economy of language – the staccato punch of the lines creates a pace that juxtaposes with the depth and quality of the writing. I loved the flare…falling, a crimson-hot star seeking reassurance, mirroring the improbable fall of the asteroid. The use of statistics to underscore the title of the story puts us squarely in the existential shoes of our narrator. Two zeros x together = something unknowable, and yet I know the feeling well. A slice of sci-fi noir that Nancy and I both liked a lot.
NC — This week’s picture prompt lent itself to monster-in-the-pit tropes, so to get to the winner’s circle pit-monster tales really had to stand-out. This one ticked all the boxes. The first sentence hooked me, not only with its clear description of the MC’s shadow, but also conveying a sense of urgency (hurrying)—which is then undercut by the next fragment (the MC is chain-smoking, not hurrying to the crash site as fast as their shadow is). The MC’s voice is crisp with its staccato sentences and the sly, self-deprecating application of statistics. Then there’s a theme that threaded through and beyond the tale: the line up of near-zero probabilities starting with the MC’s own existence points to a vast gap between near and absolute zero. The vanishingly small probability of the MC’s existence raises the question what other improbabilities are entirely… probable. Thanks for the engaging read.
Congratulations, ARCANE! Here’s your winning story:
My shadow stretches out, hurrying before me to the crash site.
Mind racing with possibilities.
My existence = 1 in 10 2,685,000
That’s basically zero.
Yet, here I stand at the edge of another improbability.
The hole is deeper than seems possible.
The asteroid actually hitting Earth was 0.41%.
Another cigarette burns.
Two zeros x together = something unknowable.
Tension envelops as we gather. Tabitha ignites a flare.
Falling, a crimson hot star seeking reassurance.
Illuminating an eye bigger than seems possible.
Whose existence = 10 septillion.
The slowest blink.
A pupil that isn’t possibly real.
Begins to come closer.
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